



"I don't think I ever said that I was done with Star Trek," Nimoy said in an exclusive interview a few weeks ago. "I think that Star Trek was kind of done with me for a while. I acted in the first six films. I directed two of them. I wrote story for two of them. I produced one of them. I was very, very active in the first six films. When the next film came [Star Trek: Generations] along, there was no role for Spock. And they killed Kirk. So one would have to ask the makers of those films, and the next few, why I was not involved. I was never offered anything that was like a Spock role. I was asked to direct the seventh film. I didn't think much of the script, and I passed."
But Abrams came to Nimoy with more than a cameo role, and it was enough to entice Nimoy out of semi-retirement. "In this particular case, they came to me with an idea that really valued the Spock character, valued my presence, gave me a role to play that I felt was worth coming back for, and I came back," he said. "So I don't think I ever turned my back on Star Trek. I think I was just allowed to drift away."
The American star would play the part of the renegade Time Lady The Rani, a glamorous but evil scientific genius previously played in the series by Kate O'Mara in the 80s.
An insider told the Daily Express newspaper: "Gillian obviously has a massive sci-fi following and it's felt that it would be a major coup to have her appear in Doctor Who.
"The team behind the show are keen for the next Doctor to have lots of new enemies and Gillian would be a glamorous and impressive addition to the list.
"The Rani would be a perfect role for her as the character used to be regarded as one of the Doctor's most deadly opponents."
Rodriguez will produce and direct the reboot, he told a news conference today at Troublemaker Studios, where Texas state politicians were in attendance to sign HB 873, the long-awaited reform of the Texas film incentive program.
I'm going to be able to shoot my upcoming Machete here, a sci-fi action film called Nervewrackers, a reboot of the Predator series called Predators and a couple of smaller movies called Sin City 2 and The Jetsons," Rodriguez told reporters.
Here's how Bloody-Disgusting described Predators: "In the reboot, a team of commandoes face down a mysterious race of vicious monsters."
Then came Batman to the rescue! Out of nowhere, a person in the crowd, wearing a Batman suit and holding a video camera, jumped out and ran towards the truck, as seen in this video from Channel 3 news. The running Batman brought much-needed laughs and amusement to the stressed-out residents and protesters alike. The tension in the scene was lowered significantly.The Batman then climbed on the back of the gas truck and yelled, “Batman is here!”, distracting the protesters in the area and brighten up the atmosphere.
While the crowd was distracted, a government official sneaked into the gas truck and drove it away. Batman made his exit on the back of a water truck that had been standing by, in case a fire had started.
The Mirage Group, which owns the property, is moving forward with a live-action film focusing on the origins of the iconic crime fighters. Project, targeted for release in 2011, would mark the fifth bigscreen outing for the sewer-dwelling heroes Leonardo, Michelangelo, Donatello and Raphael as well as their master Splinter.
"The original dozen comics created by Peter Laird and Kevin Eastman are some of the best source material one could hope for," said Mednick, whose exec producing credits include the upcoming "Where the Wild Things Are." Laird, who bought out Eastman's share of the property several years ago, said the film will remain true to the spirit of the original comicbooks. He added that the pic may employ face replacement technology, which would allow the turtles to be much more expressive.
The story itself is ripped straight from a chopsocky flick: you portray the young hero Ryo Hazuki, whose father (a kung fu sensei, naturally) is killed before his very eyes by a mysterious and frightening villain. Ryo must uncover the identity of the killer and fight his way through the city in an effort to avenge this wrongful death.
Shenmue's Yokusuka might be short on space--in total, it represents maybe a square mile--but the detail is overwhelming. You can interact with nearly every person or object that you see; 300 citizens go about their daily routines, and whom you encounter is as much determined by where you are as when you are there.
Disney warned us we were going to have a lot of horny women coming on to us. They were also worried about girls. I heard Disneyland had an Esmeralda from The Hunchback of Notre Dame. She was very flirtatious, and they finally pulled her because men found her too sexually arousing and were acting out.
The male character they had pulled was Tarzan. He moved around the tree house dressed in just a butt flap. Disney had hired these good-looking, muscular guys—even airbrushing abs on—and apparently there was excessive pinching of Tarzan’s ass by the park’s female visitors. Knowing all this, and also knowing what women were like around Jack at the Renaissance Faire, I told the other guys, “Don’t complain if girls flirt with you too much. If you do, they’ll pull the character from the park.”
I'll be honest: I didn’t follow all the Disney rules. I played Jack like he was real, and if a woman flirted, I would flirt back. Women loved it. But there were also women who would have too many beers at California Adventure or smuggle in alcohol you could smell on their breath, women who were clearly sloshed.
Here’s a napkin someone wrote on for me: “I will give you a blow job on your break, so sexy! Kim—714-XXX-XXXX.” I would also get offers from women in my ear: “Anything you want, just find me.” I had a girl who had turned 18 the day before. She was with a high school group, and she wrote down her room number at the Downtown Disney hotel. I had a lady hump my leg one day in the park.
Annual pass holders—eventually you would become the favorite of certain ones. Most characters were weirded out by the pass holders. Weird was a mother having her kids ditch school so she could come see me. Or coming to every set I did and walking the line over and over again just to talk to me. But I didn’t mind them. I built up about eight solid regulars that came for me. My biggest fans were a mother-daughter team that would talk a little, walk to the end of the line, and then come around again. I could see them twice a week, every week, every set.
Disney wanted us to tone Jack down, so they put us through an acting class to discover reasons why Jack walks and talks the way he does. Obviously he is based on Keith Richards, who’s always messed up, which is why they came up with the class. “Don’t be flirtatious,” they told us. “See women as trouble.” And they said as far as alcohol goes, don’t even mention drinking. But the Pirates of the Caribbean song is all about drinking, and they’re drinking all along the ride. So I eventually broke that rule, because it would have taken me out of character. When parents took pictures, I’d say, “Everyone say ‘rum,’?” and the parents loved it. The kids would just ask, “What’s rum?”
Eye On Springfield is a retrospective of Simpsons hilarity spanning from seasons 1 to 9, when it was still funny.